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Soundrazemag.com
February 15, 2008

www.soundrazemag.com

ARTIST: Honest Touch
SONG: Luce Lontana
SOUNDRAZE eMAGAZINE REVIEW:


We rarely have the opportunity to review music that moves us in the way that the music of HONEST TOUCH moved us. If there is such a thing as a song that makes you believe that Love is a God: then atheists we no longer are. Our project was only to listen to one song, but we ended up listening to every song in the EPK. Even those here who have little-to-no-interest in New Age music (or for that matter those who cringe whenever the Classical stations come over speaker)... even they were caught with a transcendent look on their faces for portions of the listen. The song “Luce Lontana", has a Sarah Brightman quality about the music, but with much warmer vocals. (Favorite song, by far, was their “Memories From a Dream". Our only suggestion here would be, perhaps, better titles. In a genre that so often has a stereotype of “cheesy", the only thing that might hinder forward progress of HONEST TOUCH to a larger audience is that very few people will want to admit they were listening to a song with a title like that. Perhaps, if the artists don’t want to give up the title, rename it in Greek. Just a suggestion.) But we digress. In “Luce Lontana", the piano and orchestra have composition hints to the Romantic Era as well as nods to the Impressionist Era (with soundtrack quality too). The writing of HONEST TOUCH is something that will follow you after you walk away. If, that is, you ever do walk away.



BuddyHollywood.com
Written by Mike Parker
June 12, 2007

www.buddyhollywood.com

Memories From A Dream
By Honest Touch
Polytropon Records


HONEST TOUCH Reaches Listeners at the Soul Level.
Hailing from Athens, Greece, the astonishingly gifted duo of pianist, Fofi Maniadaki, and composer/arranger, Samy Elgazzar, have created a musical masterpiece that is as subtle, complex, eclectic, familiar, and mysterious as the city they call home.

Without the veneer of lyrics to get in the way Memories From A Dream connects with the listener on a soul level. Elgazzar’s broad range of musical sensibilities subtly tickle the imagination, evoking emotions as diverse as quiet contemplation, joy, peace, exhilaration, and - at times - a touch of melancholy introspection. Maniadaki’s deft touch on the piano pierces straight to the soul.

Memories From A Dream opens with a meandering piano line that waxes and wanes in beauty and power like the moon. “A Lonely Ride” harbors a hopeful melody, wrapped in melancholy orchestration, while “Moments With You” employs an underlying rock beat to explore the exhilaration and despair that is part and parcel of all human relationships. “Autumn Tear” returns to gentle acoustic ruminations that seem custom crafted for a quiet, autumn evening in front of the fireplace. The title cut is a fairy tale of sweeping emotions and exotic imaginations.

Cinematic in scope, intimate in its emotional connection, Memories From A Dream is a joy to experience.



Indie Music Stop
Written by Michael Grillo
May 29, 2007

www.indiemusicshop.com

Hailing from Athens, Greece, Honest Touch is New Age classical pop duo that consists of pianist Fofi Maniadaki and keyboardist/composer Samy Elgazzar, who comprise the backbone of the project which is also accompanied by the Amadeus Orchestra and the Philarmonia Bulgarica, who alternate as backing bands.  In terms of substantive content, or the message that the project is trying to get across, Honest Touch for the most part promotes the same clichéd brand of Starbucks' Liberalism that apparently one needs to adhere to be properly classified as a New Age band, with all of the hackneyed messages of peace, love, and unity that are tastelessly set to the sounds of waves crashing and birds chirping.  From this angle, Honest Touch made me want to go out, eat a lot of steak, and kill all of the Tangerine Dream fans to the soundtrack of Atari Teenage Riot.
 
Putting the cheesy New Age aesthetic aside, it is apparent that Honest Touch possess a significant degree of musical talent and compositional ability, as all of the tracks are very well-crafted and produced.  Indeed, if one were to rate Memories of a Dream based on pure musicianship, then the album would easily get a 10 by most reviewers.  However, most great musicians seem to lack taste, and in this respect Honest Touch is no different than the pack.  Most of the songs on the album seem to be a bit overdone with too much going on musically, which I find takes away from the emotional mood that the band is trying to evoke.  This is apparent on the first half of the album, which is highly reminiscent of all of the bombast and pretentiousness of John Tesh and Yanni.  From this perspective, the best songs on the album are the those that tone things down a bit and allow more space, such as "Withering Wish," which centers on a beautiful piano lead and string accompaniment, and "Memories From a Dream," which is also more simplistic and a bit darker than most the other songs.  Additionally, "Memories From a Dream" has a nice movie soundtrack quality that reminded me of the film scores composed by former Oingo Boingo frontman Danny Elfman.  Also in the movie soundtrack vein is the song "And a Time for War!" which has a sixties spy movie feel, much along the lines of the various scores that John Barry and David Arnold composed for many of the classic 007 films. 
 
Overall, while the much of the music did not touch me personally, Honest Touch is a musically talented duo that has a great deal of potential.  Fofi Maniadaki is an excellent pianist and it would be nice to see more songs that place the piano at center stage.  Additionally, it would be interesting to see the duo develop a more stripped-down sound that takes out the drums and guitars to focus on the piano, string section, and keyboards, which are the project's real strengths.  Additionally, it would not hurt for the project to explore darker territories and compose more pieces in minor keys, which is where the really emotional tones lay.  However, if a standard New Age bill of fair is what you yearn for, then Memories of a Dream is an album for you.



Luna Kafé
Written by Anna Maria Stjärnell
April 2, 2007

www.lunakafe.com

Honest Touch
Memories from a Dream
Polytropon

Honest Touch consists of Samy Elgazzar and Fofi Manidiaki. Their debut is a lush, cinematic work of mostly instrumental songs.

"A Lonely Ride" is a sweeping, sad song seemingly fit for the soundtrack of an epic movie. "Dancing Under the Moon" features a bit if wordless soprano singing set to a grand backdrop. "And A Time For War..!" an ironically entitled passage is effectively plaintive.

"Luce Lontana" is a song that features some of Maniadaki's finest piano passages. The album ends with a nice version of Abba's "Lay All Your Love On Me". Honest Touch have crafted an impeccable debut.



Amazing Sounds
Written by Sarah Tomblin
March 16, 2007

www.amazings.com

HONEST TOUCH:
"MEMORIES FROM A DREAM"
Polytropon

The soul of Honest Touch, a band from Athens, Greece, are composer Samy Elgazzar and pianist Fofi Maniadaki. They are joined by various musicians at the string and percussion instruments, as well as singer Marita Paparizou. The music, as can be appreciated in this wonderful album, is of a romantic approach, mostly instrumental, with airs of a Pop ballad and symphonic touches, at times even classical. With a careful production, which includes the collaboration of two orchestras and a choir, this is a high quality work that will no doubt appeal to the most demanding aficionados to contemporary instrumental.



Indie-Music.com
Written by Dan MacIntosh
February 03, 2007
www.indie-music.com


Honest Touch is music that separates itself distinctly from much of today’s dishonest, self-centered pop.
Memories from a Dream is a large endeavor. This hour-long CD used the services of a symphony orchestra, piano, drums, bass, guitars, percussion, solo violin, solo voice and choir. Yep, it took a large ensemble to help conjure up these musical memories.

Fofi Maniadaki and Samy Elgazzar are Honest Touch’s central figures and call Athens, Greece home. The music they make leans toward New Age, although it would be unfair to label it merely that. Their sound is full-bodied, with a lovely orchestral feel, and you can easily imagine much of it as movie soundtrack music. The track “Moments with You,” with its sweet violin and nearly rock drumming, stands out from the pack. It’s a little more rhythmic than most of these mainly gentle recordings.

There are no words or lyrics, although “Dancing under the Moon” incorporates operatic female singing to nice effect. This mystic singing is supported by firm classical piano and sweeping strings.

Honest Touch is music that separates itself distinctly from much of today’s dishonest, self-centered pop. It is what it says it is, an honest touch.



Written by Dene Bebbington
December 2, 2006
www.melliflua.com


Honest Touch are Greek duo Samy Elgazzar (composer and musician on keyboards) and pianist Fofi Maniadaki plus other musicians, two orchestras, and a choir. The debut album of this project (they describe it as a project rather than a band) is Memories From A Dream which if I hadn't known otherwise would have assumed to be an album by Yanni.

The feel and instrumentation of this work is similar to Yanni's Live at the Acropolis. This comparison is not to take any thing away from Honest Touch who have created a sincere album using music to convey emotion. They're not afraid to tackle negative subjects too, hence the track “And A Time For War..!” which contains a speech by George Bush Sr announcing the first Gulf War, and sounds of war. The orchestra pumps out fast slightly discordant drum based rhythms and a variety of anxious refrains on strings and piano.

Many of the tracks employ drums for the rhythms and Fofi's delightful piano playing features often. There are some quaint little touches, such as in the title track “Memories From a Dream”that begins with the sound of a music box being wound up then playing a restrained but joyous tune against the sound of distant muted howling wind. Indeed, a lot of the tracks could have been merely pretty and doll like but there's a lot of instrumentation and emotion going on to fill out the listening experience.

Finishing off the album is a high spirited cover of Abba's “Lay All Your Love On Me”, with its great tune and Honest Touch's use of orchestral strings, tinkling ivories, and heavenly choir.

Memories From A Dream is a polished and well produced album that is a joy to listen to. It's also a good album for romantic times when the sun is going down and you're with a loved one.



IOM Magazine
Written by Colin Lynch
October 28, 2006

www.rcatcommunications.com/IOM/

Artist of the Month.
There are some absolutely fabulous international composers and musicians knocking about and Honest Touch tend to do most of their knocking about in Athens, Greece. Thanks to the borderlessness of the internet however, Honest Touch might just as well be right next door and now I'm going to tell you why I wish they were... y'see, this very gifted and scandalously skilled contemporary classical composer/musician ensemble can move you to the kind of tears you never thought you had. There's some of the most beautiful piano and keyboard work I've heard in years that's balanced and embraced by equally powerful and vivid arrangements and orchestrations. Then there's the astonishing production and engineering work that kinda forces you into a corner you'd never want to be away from for too long! Ladies and gentlemen... Honest Touch - Memories From A Dream ...

Prologue: Let Love Soar is our introduction to Honest Touch and their very determined approach to excellence and beauty in contemporary honesty and passion in music. The track opens with naturalized atmosphere fx and some truly beautiful piano work laced with incidental and gently arranged percussion and string work. It's quite an amazing piece for its originality and for the shared enchanted vision that the writers kept control of throughout the production.

A Lonely Ride is the stuff of award winning soundtracks with its delicate embrace between piano and string moments that are intricately balanced and paced by some truly fine bass and percussion work. It's quite an emotive piece with a kind of yearning between each and every note that the composer deigned to write down. A superb challenge to any composer in the genre, and yet Samy Elgazzar weaves through the arrangement with a seemingly effortless resolve.

Dancing Under The Moon is the track that made me wish I could have Samy and friends living right next door if only for the fact that I could hear them rehearse while I was doing the garden! It's an incredible track is this... again, the piano accompaniment coupled with some superb strings work and a sensuous wisp of Marita Paparizou's angelic and enchanting vocal are truly spellbinding in effect and expression! A brilliant piece of work Samy!

Moments With You is another anthem of excellence but with a more upbeat and contemporary feel. The string work is exciting, gripping stuff and I can imagine the musicians having a whale of a time working on this one. It's quite an extraordinary piece with very a very sharp insight on the composer's part into how well combinations of drums, strings, and piano can be made to be every bit as exciting as anything currently gracing the music scene. There are elements of European gypsy-like violin flavorings and the added contrast of finely intricate piano and string ensemble bits all the way from that mixing desk in Athens.

Like The Wind, The Wave & The Sand is a more melancholy reflection with it's focus on the very crucible of human emotion. Again, the musicianship is completely beyond weakness or flaw and the production is as mesmerizingly and electrifyingly tight as they come. The cascading huge orchestra moments that arrive at around the two minute mark include some excellent guitar work blended finely into the mix where the outstanding percussion and strings reside.

Autumn Tear meanwhile, is a heart and soul enhancing, mind and spirit embracing work of art in itself. I cannot believe the sheer skill and ingenuity in this composition. The arrangement is spectacular, the production and engineering superb, but the musicianship is completely and utterly astonishing. It's one for the movies folks!

And A Time For War..! is essentially the composer's perceptions of imagery, compassion, and empathy with one of the most undesirable and unwelcome themes of our current existence... the consequences and utter senselessness of war. To have music so beautifully crafted to this kind of theme is perhaps a little like walking on thin ice but then art has its anchor in the experience of living and the memories of that vocation. Samy has handled the emotive arrangements very well indeed but the true power in this piece belongs to the theme it's been acquainted with and the way in which the musicians have become synchronized to that endeavor.

Luce Lontana is quite a remarkable piece of work. Here we have a return to the beautiful classical vocal work mastered by the wonderfully gifted and blessed Marita Paparizou. Wouldn't you just love to sit in the park on a lovely day and see this entire album being performed live right in front of you? Of course you would... it's the kind of transfusion not many composers have the ability to administer!

Withering Wish has something bright and breezy and lovable about it and I think I'd be right in assuming that the piece was inspired by the composer's experience of that hazardous yet incredibly magnetic emotion. Sweeping meandering strings grace the skies above the pianist Fofi Maniadaki's fingertips and the entire movement becomes entwined in her magic and gracefulness at the keyboard. It's a work of truly monumental effort and realization that composers like Samy Elgazzar have come to know, love, and share with the rest of us.

The album's monolithic title track - Memories From A Dream is perhaps the most enchanting piece on the album. With carefully crafted string arrangements and dynamically infused piano and percussion, the track evolves into a symphony of sensual delight as well as an example of pure, unadulterated contemporary classical excellence. This is without a doubt, my favorite track on the album so far, and one which Honest Touch must be truly proud of.

Then You Came is a piece of music that's captured love in a jam jar and sprinkled it's essence across frets, strings, drum skins and piano keys in an effort to mesmerize the performers and listeners simultaneously. The music reaches just about every sense of well being a human being can possess and it does so in a very pleasure enhancing fashion! A Promise Forever on the other hand, does not place any demands on your attentive ears whatsoever you just go there willingly and take your heart, soul, and spirit along for the ride! It's a brilliantly arranged piece, but then what track on this magnificent album isn't?

Epilogue: Lay All Your Love On Me is Samy's instrumentally superior version of Benny Andersson & Björn Ulvaeus (Abba) sensationally successful song of the same name. What Samy does that's intrinsically remarkable is that he takes the original and breathes life into it much to the delight of our audio senses and to the delight of our most cherished imaginings and sentiments. Watch out for the spellbindingly brilliant string work in particular!

I'd say I've been honestly touched by Honest Touch. They've brought an album into the world that any sensible and responsible parent of music would be ecstatically pleased with. They've also managed to take impossibly complex musical phrases and turn them into works of art and simplicity to the ears. I've had the enormous pleasure of working with some of the world's most excellent instrumental artists in recent years and I have to say that it's an absolute pleasure for me to have reviewed this magnificent album on behalf of a rather magnificent new artist!



Solo Piano Publications
Written by Kathy Parsons
October 13, 2006
www.solopianopublications.com

Reviewer's Pick!
“Memories From a Dream” is the debut recording by the Athens, Greece-based duo Honest Touch. Fofi Maniadaki and Samy Elgazzar are both professors of music with extensive music credentials in classical and contemporary music. Fofi is a piano soloist with an elegant, flowing touch. Samy composes and conducts the music, and plays keyboards. Calling Honest Touch a project rather than a band, they are backed by a five-piece band consisting of percussion, bass, and a variety of guitars. Guest artists are violinist Vasilis Garoufalidis and vocalist Marita Paparizou. Some tracks are also backed by the Amadeus Orchestra, Philarmonia Bulgarica, and the Fons Musicalis Choir. This is obviously a big production, and the music is full and cinematic. Seeking to touch the listener in a profound way, the music is deeply emotional and powerful, and yet very soothing and uplifting. One is occasionally reminded of Yanni with the richness of the sound and the obvious Greek influence. Elgazzar’s music is different, though, and his extensive training shows itself in the effortless flow of the music. Nothing is done for “show” or to impress, and each note is full of meaning. Lightweight fluff music it isn’t, but it is still very accessible.

“Prologue: Let Love Soar” opens with the sound of a chilly wind. The piano enters with a bittersweet melody. As the song develops, more instruments join in, allowing the piano to remain the “star” of the piece. Colorful and passionate, this would be a haunting piece at the end of a romantic film. “A Lonely Ride” begins with the sound of a car starting and driving off as the soulful melody comes in. This one really tugs at the heartstrings. “Dancing Under the Moon” is lighter and extremely romantic. Marita Paparizou’s operatic voice is a graceful musical instrument with wordless vocals. “Like the Wind, the Wave, and the Sand” is a favorite. Evoking the peace as well as the turbulence of the sea, it’s a real beauty! “Autumn Tear” begins as a lovely duet for piano and oboe. Strings, bass, and percussion are added, creating a sad mood that enhances the poignance of the piano. Gorgeous! “And a Time For War..!” is a big production piece. It opens with the voices of various politicians speaking, although it is difficult to understand what they are saying (isn’t it always???). The music is passionate and intense. “Luce Lontana” won 1st prize in the instrumental category and 3rd overall in the NCSA Song Contest in 2002. A slow and deeply emotional piece, piano and wordless vocals send it soaring to the heavens. The title track is another favorite. Symphonic and cinematic, Fofi gets a chance to really show what she can do at the piano - wow! This very impressive album concludes with ABBA’s “Lay All Your Love On Me.” Even with the strings and woodwinds, this arrangement really rocks and closes the album with a big smile. Love it!

For more information about Honest Touch, visit www.honesttouch.com. The CD is for sale at cdbaby.com and amazon.com. Highly recommended!



Morpheus Music
Written by Paul Jury
October 15, 2006
www.morpheusmusic.co.uk


Melodic new age piano music with orchestral, rock and pop influences. The central element in Honest Touch's sound is the lively piano work of Fofi Maniadaki - this is presented with accompaniments of electric and acoustic guitars, strong live drum tracks and striking string arrangements. Choral voices from the Fons Musicalis Choir and neo-classical vocals from Marita Paparizou combine with a variety of orchestral sounds to broaden the musical palette and add to the romantic drama on a number of tracks. The singing on the album is soaring and bold, much of it wordless, suggestive almost of a rock musical at times. Sounds of the sea, babbling children, radio transmissions, birds and traffic noise all bring an ambient background to various points on the CD.

Dramatic and warm - Honest Touch have quite an emotional approach where sweeping surges of feeling and climactic peaks well up and overflow against a pacey set of bright musical structures. Often quite beaty, edging toward rock at one end of the spectrum with flamboyant, grandiose themes and then dropping to gentle, almost plaintive interludes and delicate moments all within a single track. At times cinematic and frequently ardent, Memories From A Dream presents a vision of opulent, optimistic romanticism.

I have only a promotional copy and so am able to comment on just the front cover imagery you see above - a well chosen photograph of a lonely wooden jetty shot so as to capture a limited range of hues and a frozen narrative moment.

Honest Touch refer to themselves as "a project rather than a traditional band". The project being established by Fofi Maniadaki and Samy Elgazzar based in Athens, Greece. Supporting the two person nucleus is an impressive array of collaborators - a five-piece band, the Amadeus Orchestra and on some songs the Philarmonia Bulgarica, the Fons Musicalis Choir and guest artists Vasilis Garoufalidis on violin and vocalist Marita Paparizou. The band often performs live having debuted in 2000, their set comprising a combination of both original and cover music.

Honest Touch will appeal to piano enthusiasts that enjoy strong melodies and an upbeat new age aesthetic. This album includes an instrumental cover of ABBA's 'Lay All Your Love On Me' which perhaps hints at the tuneful stylistic choice of the band.



Mondo Blu Radio
Written by Paul De Micheli
October 14,2006
www.mondoblu.biz


The Honest Touch project is the brainchild of Greek composer and keyboardist Samy Elgazzar and compatriot, pianist Fofi Maniadaki, very capably backed by up to 60 musicians, including an orchestra and choir. Although the project was formed in 2000, this is their first CD release to date.

A quick glance at the titles would lead you to believe that this is a standard type of New Age album. On listening, however, you find that the tunes fall into 3 main categories.

The “Dramatic Moment” tracks such as the Prologue or “Then You Came” start softly and build up to a powerful climax, thanks to the inclusion of electric guitar and heavier percussion.

The majority are pure “Cinematic Pop” compositions (their own description), beautifully-crafted melodies that would be worthy of a John Williams or indeed Ennio Morricone. Good examples of these are “A Lonely Ride”, “A Promise Forever” or the eerily atmospheric “And A time for War”.

Finally, there are what I would call the “Fun” tunes and this is where the band comes into its own, in my opinion. “Moments with You” is not at all slow as you might expect, but up-tempo and slightly jazzy, with a vague edge of Penguin Café Orchestra in there for good measure. Similarly, the Epilogue, a playful re-working of the ABBA hit “Lay All Your Love On Me” gives you a real feel for the talent of these musicians, something which I would have to say is a little scarce in some of the other tracks. As technically-perfect as the playing is, there is a nagging feeling that they are holding back, that it is perhaps a little too perfect. Fortunately, these “Fun” tunes more than compensate for this and you are left with a sense that this project is easily capable of adapting itself to different musical challenges (film work, collaborations, etc.) and is definitely in line for greater and better things.

Finally, a couple of curiosities. The project’s website (www.honesttouch.com), packed with information and resources about them, includes recommendations on which tunes to listen to if, for example, you are jogging or alternatively, feeling slow and sluggish. An interesting innovation, but not as good as the 14-day, 100% money-back guarantee! I can think of a number of bands who might well be out of pocket if they tried this, so you can only admire the faith of Honest Touch in their work, a final point in their favour.
Overall, a 7/10 – and I look forward to listening to the next one!



Written by Curtis Lowell
October 1, 2006

www.makeastar.com
Industry Review of the song "Memories From A Dream".

Your piece is a melodic charmer that holds its place within the harmonic context through the resolution of the chords. Interestingly, the melody doesn't resolve at the end, but continues into the next repetition of the melody. This is more like the music of Yanni, Keiko Matsui and John Tesh than strictly New Age, but still appeals to a huge potential audience. The block chord piano figures played during the Fm section sound a little Liberace-esque, which may work in concert, but not so well in repeat listenings, as it goes on so long.

Your recording is very good and the arrangement is perfectly suited to listeners who like their music light, but dramatic. With the string section swelling against the piano and the percussion on the trap drums high in the mix, this track is a guaranteed crowd pleaser. The section where the stings swell on their own sounds a little loud though, eclipsing the rest of the track briefly.

All of the performances are top tier and there are some interesting nuances tucked onto the individual parts, not the least of which is omitting the snare hit on the 7 beat during the section of the Bb melody that starts around 1:58. The integration of the harp, strings and keyboard parts is excellent and the bass anchors the chords with tight punctuation and slurs.

Although this musical territory is well traveled, you make an authenic presentaion here, where the music transcends the genre through your deft balancing of melody and orchestration. While not really original, you fulfill the requirements of the genre perfectly, which is just as good as original these days.

I think this should find an welcoming audience in the Easy Listening market, with enough performance juice to get listeners excited. This genre has grown huge over the last 20 years and if you can mount an extraordinary show, you could move into the big leagues with a showpiece like this. An expensive move, but the risk will yield great rewards if you make it.

This piece is extremely well focused and is prime for an entry into a worldwide market that flourishes on the PBS funding drives.



Written by Keith "MuzikMan" Hannaleck
September 21, 2006

www.tagworld.com

Their music is so powerful that words are not needed.
Honest Touch is from across the pond in Athens Greece. The duo of Samy Elgazzar (composer, keyboards) and Fofi Maniadaki (acoustic piano) combine their talents to record Memories From A Dream. Some fine talent backs them as well on the recording. A five-piece band and the Amadeus Orchestra add their special touch to give the duo a solid base to build upon.

The music befits the title as it creates many images while listening. It is all at once cinematic, breathtaking, and a slice of heaven. The orchestral segments set the tone, whether it is fast paced and dramatic or sad and reflective. The keyboards come delivered upon a layer of sweeping orchestration in each track.

The couple is interested in provoking thoughts from its audience, and there are many subjects covered even though there are not words attached to the music. Their music is so powerful that words are not needed, just look at the titles; they are suggestive enough to engage you and compel you to develop your own storyline while listening. It was easy for me as I can relate much better to instrumental music than compositions entangled with words, which are frequently difficult to understand to begin with on most recordings. This CD starts you off with a clean slate as a perspective listener and each composition is an aural landscape, an adventure that will transport you away to another place in time very quickly. It is easy if you let the music take you. With good instrumentals, it is my choice to immerse myself in the sounds and land wherever it takes me. That is what makes an instrumental track so exciting and special.

I was very impressed with this music and the sound is very good as well. Music so delicate and complex needs top-notch engineering and mixing. It is obvious to me after several listens that there was a job well done in all the important aspects of producing a quality recording. Do not be surprised if you hear this music in the background of a film someday.



Difono
Monthly music magazine
Written by Yannis Petridis
July, 2005
www.difono.gr

What does it exactly mean “cinematic Pop”? Instrumental music that borders the pop idiom and potentially works in a film framework? For Honest Touch this is their artistic style, or as they call it: Tacit Pop(!) Yet, who are the members of Honest Touch? Samy Elgazzar is a musician with extended studies, a graduate of Berklee College of Music and with numerous credits. Fofi Maniadaki, the other half of the band, is a piano soloist, with classical studies in Greece and overseas. In other words we are talking about two very good musicians, which is apparent by listening to the album and not just by reading their resumes.

The cd Memories From A Dream is their debut album, which includes 12 compositions by Elgazzar plus an arrangement of ABBA’s Lay All Your Love On Me; all created on the border of an instrumental Pop aspect. Without any particular tension, Honest Touch creates a welcomed atmosphere. Whether it is the skillful dialogue between the keyboards of Elgazzar with the piano of Maniadaki and their melodic passages between the bass, the percussion, the guitars and the violin; whether it is the expressive soprano Marita Paparizou, the choir Fons Musicalis or the collaboration of a symphony orchestra. Something is happening; it can not be. Especially in the compositions Dancing Under The Moon and Autumn Tear.



Ego
Biweekly women magazine
Written by Eleftheria Kanakaki
19 July – 1 August 2005
www.egomag.gr

The awarded Honest Touch created instrumental songs that aim at touching the listener in an emotional tone. In this manner they represent to the audience a sort of cinematic Pop music as well as ABBA’s hit Lay All Your Love On Me in a new arrangement. Released on Polytropon Records.